Claus Michael Sørensen
Claus Michael Sørensen uses his Emma electronic Stinkbug for guitar at his guitar school in Aarhus, Denmark.
Claus Michael Sørensen uses his Emma electronic Stinkbug for guitar at his guitar school in Aarhus, Denmark.
Danish guitarist with the country band: Rio Grande. He uses the StinkBug for both kinds of music: Country AND Western, and occasionally some Rock’n Roll.
Casper Munkgaard (sticks and Fire) had the ReezaFratzitz, now he also got the StinkBug
Danish guitarist with a busy schedule with Danish artists as Anne Dorthe Michelsen, Jacob Sveistrup, James Sampson, Zindy Lausersen
and rapper Agami. Besides the many live gigs Casper have done studio work with Peter Brander, Jan Eliason, Mogens Binderup, Jan Lysdal and American artist George Marino.
Danish bass player with the new big name in music MerryMold. He uses his StinkBug with his TC Electronic Rebelhead 450 stack
Casper on MySpace
Casper also uses the Emma DiscomBOBulator
When asked, Casper states: “I play only one scale – the Richter scale….”
Guitarist for Gavin DeGraw, originally from North Carolina, was in a band called DAG, taught guitar locally in NC, but now tours the country and plays a wicked solo that awes even Gavin.
The OnoMATOpoeia is basically a sonic super hero. Clean boost by day, dirty overdrive by night, and with some serious superpowers hidden up its sleeve. It’s the secret sauce your pour on your tone when you want that extra Oomph! That extra Kapow! It’s what you kick in when you need your solos to soar or your rhythms to roar.
The goal with the OnoMATOpoeia was to create a pedal that every player out there would benefit from having on their board. Something that would sweeten up the sound no matter if it was used subtly or shamelessly. The result: a unique and versatile boost/overdrive pedal that can do anything from adding a little push to lift solos or rhythms off the ground, to adding some glorious tube-like grit. With the addition of a wide-ranging “seesaw” tone control and a saturation knob that changes the gain structure from loose, old-school and slightly fuzzy to tight and modern, this pedal has a tonal trick available for any musical trade out there.
Feel The Force! TransMORGrifier takes everything you know and love about old analog stompbox compressors, and adds some nice modern improvements to the tonal equation. Meaning, you can get the squish and the squash without having to sacrifice the natural body of your core tone. From transparent studio-like comp tones to overly compressed vintage chicken-picking tones, and anywhere in between. You’ll find it all in the TransMORGrifier!
The secret to the TransMORGrifier’s superb tones and versatility is the highly transparent circuit it’s built on and the ratio knob. The ratio knob allows you to go from subtle to over-the-top compression in seconds flat, all while inflicting minimal coloration to your original tone. So whether you just want to level things out a bit and add some subtle sustain or you wanna go all-in on cowboy hats, telecaster-twang and chicken-picking, the TransMORGrifier’s intuitive control set will take you there with ease.